{"id":99832,"date":"2021-09-29T09:37:12","date_gmt":"2021-09-29T05:37:12","guid":{"rendered":"https:\/\/www.alowais.com\/?p=99832"},"modified":"2021-09-29T09:37:12","modified_gmt":"2021-09-29T05:37:12","slug":"danish-artist-takes-84000-from-a-museum-and-calls-it-conceptual-art","status":"publish","type":"post","link":"https:\/\/www.alowais.com\/en\/danish-artist-takes-84000-from-a-museum-and-calls-it-conceptual-art\/","title":{"rendered":"Danish artist takes $84,000 from a museum and calls it conceptual art"},"content":{"rendered":"

The name of the artwork says it all:\u00a0Take the Money and Run<\/i>.<\/span><\/p>\n

Danish artist Jens Haaning was lent 534,000 Danish krone ($84,000) by the Kunsten Museum of Modern Art in Aalborg, Denmark to replicate two of his older works \u2013 framed banknotes that represented the annual incomes of an Austrian and a Dane. However, instead of making the artworks, the artist shipped two empty frames to the museum. The cash was nowhere to be found.<\/span><\/p>\n

\u201cThe work is that I have taken their money,\u201d the artist told the Danish radio programme P1 Morgen last week. \u201cIt\u2019s not theft. It is a breach of contract, and breach of contract is part of the work.\u201d<\/span><\/p>\n

Haaning also renamed the artwork, transforming the act into a statement about artistic compensation.<\/span><\/p>\n

The artist, who lives and works in Copenhagen, was initially invited to produce a piece for the museum\u2019s exhibition Work It Out, which looks at the role of people in the labour market and the future of working life. The group show, which opened last Friday, features the works of 22 artists.<\/span><\/p>\n

<\/div>\n

As part of an agreement with the museum, the artist was meant to recreate his mixed media artworks\u00a0An Average Austrian Year Income<\/i>\u00a0from 2007 and\u00a0An Average Danish Annual Income<\/i>\u00a0from 2010.<\/span><\/p>\n

According to online magazine\u00a0ArtNet<\/i>, Haaning came up with\u00a0Take the Money and Run<\/i>\u00a0as a way to highlight the meagre payment that the museum offered for his participation in the exhibition. He would have to pay $3,900 to reproduce his previous works, he said.<\/span><\/p>\n

In addition, the museum\u2019s idea of replicating the works seemed out of date and misunderstands the intention of the original pieces, he said. \u201cWhy should we show a work that is about Denmark \u2026 11 years ago, or one that is about Austria\u2019s relationship with a bank 14 years ago?\u201d<\/span><\/p>\n

Haaning\u2019s previous works have tackled the issues of power and communication. He has investigated the concept of value within economic systems and has also delved into the conditions of migrant workers in Europe.<\/span><\/p>\n

Take the Money and Run<\/i>\u00a0remains part of the Work It Out exhibition, which runs until January. The museum has stated that it expects Haaning to fulfill the terms of the contract and return the money when the show is over. At the moment, the artist has no intention to comply.<\/span><\/p>\n

www.thenationalnews.com<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

The name of the artwork says it all:\u00a0Take the Money and Run. Danish artist Jens Haaning was lent 534,000 Danish krone ($84,000) by the Kunsten Museum of Modern Art in Aalborg, Denmark to replicate two of his older works \u2013 framed banknotes that represented the annual incomes of an Austrian and a Dane. However, instead […]<\/p>\n

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