{"id":7567,"date":"2018-05-14T05:15:15","date_gmt":"2018-05-14T05:15:15","guid":{"rendered":"https:\/\/www.alowais.com\/drawing-with-words-by-nizar-qabbani-issued-by-al-owais-cultural-foundation\/"},"modified":"2018-05-14T05:19:29","modified_gmt":"2018-05-14T05:19:29","slug":"1252018","status":"publish","type":"post","link":"https:\/\/www.alowais.com\/en\/1252018\/","title":{"rendered":"\u201cDrawing with Words\u201d by Nizar Qabbani Issued by Al Owais Cultural Foundation"},"content":{"rendered":"

The Sultan Bin Ali Al Owais Cultural Foundation has issued a new publication within the \u201cSymposiums\u201d book series. The new book, \u201cDrawing with Words\u201d is named after a symposium on the late poet Nizar Qabbani, which saw the participation of Ahmed Barqawi (The Ego in Nizar Qabbani\u2019s Poetry), Ali Obeid (Fountains Don\u2019t Tire and the Water of Damascus Never Runs Out), Mohammed Shahine (Nizar Qabbani: For Whom the Canary Sings), Samar Rohy Al Faisal (Qabbani\u2019s Prose: The Other Face of His Creativity), Afaf Al Bataina (The Poetic Quest for Freedom), Nizar Abu Nassir (Features of the Nizari Aura), Ulwi Al Hashemi (Nizar Qabbani: The Paradox \u201cA Critical Confession\u201d) Sharif Al Gayyar (Aesthetic Rebellion and Rejection of Inherited Legacies) and Barwin Habib (Techniques of Expression in the Poetry of Nizar Qabbani).<\/span><\/p>\n

The Sultan Bin Ali Al Owais Cultural Foundation has always been keen on documenting all the symposiums it organizes by issuing various publications within the \u201cSymposiums\u201d book series\u201d. The Foundations efforts to issue these books are aimed at making them accessible to the largest number of culture enthusiasts.<\/span><\/p>\n

It is worth mentioning that late Syrian poet Nizar Qabbani (1923-1998) had won the Foundation\u2019s Cultural and Scientific Achievement Award (3rd<\/sup> session), for being one of the most popular and influential Arab poets. Qabbani had succeeded in drawing the attention of the general public to poetry by creatively inventing his very own poetic language that is very akin to mundane language and everyday dialogue, hence becoming accessible to various social groups and breaking the wall that had hitherto existed between the public and poetry. He became a household name in the Arab world and his poetry readings in different Arab cities were a cultural phenomenon that underlined the important status of poetry in the lives of Arabs and its seminal role in shaping the identity of Arab individuals. This also stressed the responsibility poets have towards their audience.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

The Sultan Bin Ali Al Owais Cultural Foundation has issued a new publication within the \u201cSymposiums\u201d book series. The new book, \u201cDrawing with Words\u201d is named after a symposium on the late poet Nizar Qabbani, which saw the participation of Ahmed Barqawi (The Ego in Nizar Qabbani\u2019s Poetry), Ali Obeid (Fountains Don\u2019t Tire and the […]<\/p>\n

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