{"id":12607,"date":"2019-02-12T09:08:42","date_gmt":"2019-02-12T05:08:42","guid":{"rendered":"https:\/\/www.alowais.com\/?p=12607"},"modified":"2019-02-12T09:09:06","modified_gmt":"2019-02-12T05:09:06","slug":"1222019-4","status":"publish","type":"post","link":"https:\/\/www.alowais.com\/en\/1222019-4\/","title":{"rendered":"Renowned New York photographer Andrew Moore returns to Abu Dhabi to find a changed city"},"content":{"rendered":"
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The well-known photographer\u00a0has focused on the capital for a decade, honing in on its diversity<\/strong><\/p>\n<\/div>\n<\/div>\n

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Photographer Andrew Moore likes to shoot cities with a long history. But for the past 10 years, he\u2019s been taking pictures of Abu Dhabi.<\/p>\n

\u201cI love things that have a certain patina and age to them,\u201d he says. \u201cAbu Dhabi is a challenge in that everything is so new. In some cases, people have been tearing things down just as I am photographing them.\u201d Moore has been at work on a book project of the city, and now that it\u2019s taken a decade, it has turned into something different: not a snapshot of Abu Dhabi, but a time-elapsed series, revealing how much the city has changed in just ten years.<\/p>\n

The artist is famous for his large-format images of cities that celebrate the multi-\u00adfaceted cacophony of urban life \u2013 a subject he will address when he speaks at the NYUAD Institute today.\u00a0<\/strong>His images of New York, where he has long\u00a0lived, bring together the taxis,\u00a0buses,\u00a0cars,\u00a0streets,\u00a0buildings,\u00a0hoardings, the people, and the shabby edges of the city blocks into one picture plane.<\/p>\n

Looking at his work, often taken from an elevated vantage point, you wonder how people even navigate the streets with the amount of sensory\u00a0information that is shifting around them, and which Moore brings out in all its saturated, colourful splendour. He is especially known for photographing cities on the edge of decline \u2013 places such as\u00a0Havana, Detroit, and sites in Russia and Ukraine \u2013 in which residents live among the material effects of a past that, both due to lack of resources for renovations and its past glory, no one \u00adbothers to change.<\/p>\n

Getting the project started<\/strong><\/h2>\n

The palpability of the past isn\u2019t something typically associated with the Gulf, but Moore teases out the Abu Dhabi of the edges that doesn\u2019t feature in billboard advertisements. An image of a hairdressing \u201csaloon\u201d takes in the cheap plastic green chair that residents sit on outside the parlour, under a well-used air conditioning unit and a picture of Sheikh Zayed in \u00adsunglasses. A customer sits inside in a retro red-and-white chair, quietly returning the camera\u2019s gaze.<\/p>\n

Another shows the facade of a 1980s apartment \u00adbuilding, with its evenly spaced \u00adbalconies in a worn-down shade of red. The building is pockmarked in places where the concrete is crumbling, and one lone man stands on a balcony, in a bright blue top, to take in the air.<\/p>\n

\u201cI went to the homes of some Emiratis and took pictures, but I was more interested in the diversity of the population,\u201d he says. \u201cThat was where I started \u2013 I shot the Emirates Palace, but again \u00adalways with an eye to some kind of layering. I showed the fountains of the \u00adEmirates \u00adPalace, but in the background you see this all-night \u00adconstruction, with cranes working. You have this sense of a city in flux, rising out of the desert. I liked that idea.\u201d<\/p>\n

Documenting a changing city<\/strong><\/h2>\n

If Emirati cities have changed in terms of their buildings, the tenor of discussion around \u00adurbanism has also altered since Moore began photographing: a number of other figures in the Emirates have been likewise celebrating the architecture that flies below the radar of the shiny and new. Khaled Alawadi, an urbanist in Masdar City, made the walkable city\u00a0the focus of his presentation for last year\u2019s Venice Biennale for Architecture pavilion.<\/p>\n

Sultan Sooud Al Qassemi is documenting 1980s modernist architecture in Sharjah, uncovering the history of the architects from India, the Levant,\u00a0who built in the Emirates at the end of the Cold War. Sheikha Hoor Al Qasimi is using the platform of the Sharjah Art Foundation to conserve buildings, such as the cinema at Kalba and the so-called Flying Saucer, now an exhibition space. The first outing\u00a0of the Sharjah Architecture Triennale, which launches in November this year under the curation of Adrian Lahoud, will focus on urban design.<\/p>\n

Moore was originally invited by the former vice-chancellor of NYU Abu Dhabi, Hilary Ballon, a specialist in architecture and urbanism. The pair had collaborated on a project in New York surveying the work of the New York planner Robert Moses, and she asked him to bring his camera to Abu Dhabi.<\/p>\n

Ballon, who was instrumental in setting up the NYUAD outpost, died in June 2017. \u201cThe project,\u201d Moore says, \u201cis now a memorial to her.\u201d<\/p>\n

Andrew Moore will speak at the New York University Abu Dhabi Institute\u00a0on February 11<\/em>\u00a0at 6.30pm. For more information about the session, visit\u00a0www.nyuad.nyu.edu<\/a><\/em><\/p>\n

www.thenational.ae<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The well-known photographer\u00a0has focused on the capital for a decade, honing in on its diversity Photographer Andrew Moore likes to shoot cities with a long history. But for the past 10 years, he\u2019s been taking pictures of Abu Dhabi. \u201cI love things that have a certain patina and age to them,\u201d he says. \u201cAbu Dhabi […]<\/p>\n

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But for the past 10 years, he\u2019s been taking pictures of Abu Dhabi. \u201cI love things that have a certain patina and age to them,\u201d he says. \u201cAbu Dhabi […]","og_url":"https:\/\/www.alowais.com\/en\/1222019-4\/","og_site_name":"\u0645\u0624\u0633\u0633\u0629 \u0633\u0644\u0637\u0627\u0646 \u0628\u0646 \u0639\u0644\u064a \u0627\u0644\u0639\u0648\u064a\u0633 \u0627\u0644\u062b\u0642\u0627\u0641\u064a\u0629","article_publisher":"https:\/\/www.facebook.com\/alowaiscf","article_published_time":"2019-02-12T05:08:42+00:00","article_modified_time":"2019-02-12T05:09:06+00:00","og_image":[{"width":412,"height":262,"url":"https:\/\/www.alowais.com\/wp-content\/uploads\/2019\/02\/1222019-2.jpg","type":"image\/jpeg"}],"author":"feras","twitter_card":"summary_large_image","twitter_creator":"@alowaiscf","twitter_site":"@alowaiscf","twitter_misc":{"Written by":"feras","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.alowais.com\/en\/1222019-4\/#article","isPartOf":{"@id":"https:\/\/www.alowais.com\/en\/1222019-4\/"},"author":{"name":"feras","@id":"https:\/\/www.alowais.com\/en\/#\/schema\/person\/6cdac74a21e30af65435d66569665142"},"headline":"Renowned New York photographer Andrew Moore returns to Abu Dhabi to find a changed city","datePublished":"2019-02-12T05:08:42+00:00","dateModified":"2019-02-12T05:09:06+00:00","mainEntityOfPage":{"@id":"https:\/\/www.alowais.com\/en\/1222019-4\/"},"wordCount":784,"publisher":{"@id":"https:\/\/www.alowais.com\/en\/#organization"},"image":{"@id":"https:\/\/www.alowais.com\/en\/1222019-4\/#primaryimage"},"thumbnailUrl":"https:\/\/www.alowais.com\/wp-content\/uploads\/2019\/02\/1222019-2.jpg","articleSection":["cultural news"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.alowais.com\/en\/1222019-4\/","url":"https:\/\/www.alowais.com\/en\/1222019-4\/","name":"Renowned New York photographer Andrew Moore returns to Abu Dhabi to find a changed city - 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