{"id":12603,"date":"2019-02-12T09:06:12","date_gmt":"2019-02-12T05:06:12","guid":{"rendered":"https:\/\/www.alowais.com\/?p=12603"},"modified":"2019-02-12T09:06:12","modified_gmt":"2019-02-12T05:06:12","slug":"1222019-3","status":"publish","type":"post","link":"https:\/\/www.alowais.com\/en\/1222019-3\/","title":{"rendered":"British photojournalist\u2019s career capturing conflict now on show in London"},"content":{"rendered":"
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Don McCullin\u00a0has visited war zones across the world in his 60 year career<\/strong><\/span><\/p>\n<\/div>\n<\/div>\n

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A major retrospective of one of the world\u2019s most acclaimed war \u00adphotographers has opened at London\u2019s Tate Britain. Don McCullin has spent 60 years photographing the impact of conflict, poverty and deprivation on humans across the world.<\/span><\/p>\n

His career began in the 1950s when he sent a photograph from his native North London to\u00a0T<\/em>he \u00ad<\/em>Observer<\/em>\u00a0newspaper.\u00a0The Guvnors in Their Sunday Suits<\/em>, a photo he\u2019d taken of his friends stood in a derelict, bombed-out building, proved a hit with newspaper bosses.\u00a0The\u00a0<\/em>Observer<\/em>\u00a0asked if he could take more photographs like that and he agreed.<\/span><\/p>\n

Beginning by capturing life in \u00adpoverty-stricken areas of London, McCullin soon ventured\u00a0to Germany as the Berlin Wall was being erected.\u00a0The\u00a0<\/em>Observer<\/em>\u00a0was\u00a0uninterested in the story, but that didn\u2019t stop him\u00a0from going there to capture what would become a defining moment of the 20th century.<\/span><\/p>\n

\u201cPhotography isn\u2019t about just pushing that button,\u201d he\u00a0said in 2016 in an interview with the Canon Professional Network. \u201cIt\u2019s about the experience of being there. I bring to my photography the principles of my mind and what I\u2019m trying to do. I\u2019m bringing the direction of who I am and what I\u2019ve seen. I\u2019m bringing my identity to it with my printing and my composition.\u201d<\/span><\/p>\n

His first experience of photographing conflict came in 1964 when he was asked to visit Cyprus during the civil war. It was here\u00a0that he began to take photos of the dead, the dying and the grieving in what he described as an \u201cethnic cleansing\u201d of the Turkish population by Greek Cypriot forces<\/span><\/p>\n

By 1966, McCullin had begun working as an overseas correspondent for\u00a0T<\/em>he<\/em>\u00a0Sunday Times Magazine<\/em>, a position he held until 1984. He travelled to Biafra in 1968 where the secessionist state was being blockaded by Nigeria, leading to mass starvation of the population. He took\u00a0images of malnourished women trying to feed their skeletal children with swollen stomachs,\u00a0as dead bodies lay rotting on the ground. In an interview with Jiang Rong in 2006, he said he wanted\u00a0readers to look at these images\u00a0and think: \u201cWhy am I looking at these terrible images, like a child starving, in a world where there is too much food in the West?\u201d<\/span><\/p>\n

During the 1970s, he\u00a0travelled to war zones in Northern Ireland, Vietnam and Cambodia \u2013 where he was hit by a mortar shell, which killed a Cambodian paratrooper. Despite being injured, he carried on taking photographs, \u00adincluding of the dying soldier who had been hit by the same shell.<\/span><\/p>\n

McCullin recalled the moment in his 2002 autobiography,\u00a0Unreasonable Behaviour.<\/em>\u201cWe had shared the fragmentation, but he had taken most of it in the stomach \u2026 Minutes later, I noticed he was lying down again, his feet drumming too perfectly with every motion of the lorry. I knew that he had gone. It could so easily have been my dead corpse rattling. I thought, he\u2019s gone instead of me.\u201d<\/span><\/p>\n

By 1976, he\u00a0had ventured to the Middle East to document fighting between Christian and Muslim militias in Beirut. He captured the scene in Karantina, a predominantly Palestinian district of Beirut, where hundreds of people, mainly Muslims, were massacred. In one horrific moment, he saw young Christian men celebrating as a teenage Palestinian girl lay dead in a puddle of rain in the street. Unsure whether his own life was in danger, McCullin began to turn away until he was called over by one of those celebrating. \u201cThe boy called over to me. \u2018Hey, mistah! mistah! Come take photo.\u2019 I was still frightened but I shot off two frames quickly,\u201d he wrote in his autobiography.<\/span><\/p>\n

McCullin returned to Lebanon in 1982 during the Israeli invasion. He later described seeing horrendous crimes against humanity as the Israelis surrounded refugee camps to prevent people from fleeing while Christian Phalangists carried out massacres.<\/span><\/p>\n

In the 1990s, having left\u00a0The\u00a0<\/em>Sunday Times Magazine<\/em>, he was seconded to Saddam Hussein-controlled Iraq by\u00a0The Independent.\u00a0<\/em>In the aftermath of Iraq\u2019s defeat in the Gulf War in 1991, the photographer travelled to the north of the country where he witnessed\u00a0Hussein\u2019s suppression of the Kurdish people.<\/span><\/p>\n

Most recently, he visited Syria to photograph the destruction left by ISIS. A photograph from 2017 shows the ruins left of the theatre in the Roman city of Palmyra, a world heritage site. In the same year he was knighted in the New Year Honours for services to photography.<\/span><\/p>\n

The exhibition, which features over 250 photographs, is accompanied by McCullin\u2019s commentaries on the scenes he witnessed. He printed all his photographs\u00a0himself in his darkroom.<\/span><\/p>\n

Now aged 83, he\u00a0spends most of his time photographing landscapes in rural Britain. He says he has \u201csentenced himself to peace\u201d. But his vast collection of ongoing conflict proves that war will never be over.<\/span><\/p>\n

The exhibition runs until May 6 at Tate Britain, Westminster, London<\/em><\/span><\/p>\n

www.thenational.ae<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Don McCullin\u00a0has visited war zones across the world in his 60 year career A major retrospective of one of the world\u2019s most acclaimed war \u00adphotographers has opened at London\u2019s Tate Britain. Don McCullin has spent 60 years photographing the impact of conflict, poverty and deprivation on humans across the world. His career began in the […]<\/p>\n

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Don McCullin has spent 60 years photographing the impact of conflict, poverty and deprivation on humans across the world. 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